{"id":2604,"date":"2022-10-11T14:59:58","date_gmt":"2022-10-11T12:59:58","guid":{"rendered":"https:\/\/www.massimogiovanardi.it\/bellicam\/"},"modified":"2022-12-06T14:38:08","modified_gmt":"2022-12-06T13:38:08","slug":"bellicam","status":"publish","type":"page","link":"https:\/\/www.massimogiovanardi.it\/en\/bellicam\/","title":{"rendered":"Bellicam\u00ae"},"content":{"rendered":"\n<div class=\"aspect-ratio\">\n<iframe src=\"https:\/\/www.youtube.com\/embed\/YJp5Z7aV55k?hl=it&amp;cc_lang_pref=en&amp;cc_load_policy=1\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n<\/div>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"icon-spotify-album\">\n<a href=\"https:\/\/open.spotify.com\/track\/64LOCSpTM3WCvdWGOIIrmR?si=a9912aac61b941b8\" target=\"_blank\" rel=\"noopener\"><i class=\"icon rt-brand-icon rt-brand-spotify\"><\/i><\/a>\n<\/div>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"page-text wp-block-paragraph\">The song unveils the contradictions of so-called \u201cdark tourism\u201d, that is travelling to the sites of catastrophes and painful events, prompted by morbid curiosity.<\/p>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Resources on this topic<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/doi.org\/10.1016\/j.tourman.2020.104168\" target=\"_blank\" rel=\"noreferrer noopener\">Jamalian, M., Kavaratzis, M., &amp; Saren, M. (2020). A happy experience of a dark place: Consuming and performing the Jallianwala Bagh. <em>Tourism Management<\/em>, 81, 104168.<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.theguardian.com\/tv-and-radio\/2019\/jul\/03\/from-chernobyl-to-concentration-camps-why-the-morbid-fascination-with-places-of-death-and-disaster\" target=\"_blank\" rel=\"noreferrer noopener\">Alice, J. (2019). From Chernobyl to concentration camps: why the morbid fascination with places of death and disaster? <em>The Guardian<\/em>, 2 July.<\/a><\/li>\n<\/ul>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Credits<\/h3>\n\n\n\n<p class=\"page-text wp-block-paragraph\"><em>Music &amp; lyrics by Massimo Giovanardi<\/em><\/p>\n\n\n\n<p class=\"page-text wp-block-paragraph\">Massimo Giovanardi: vocals, guitar<\/p>\n\n\n\n<p class=\"page-text wp-block-paragraph\">Giacomo Gamberucci: cello<\/p>\n\n\n\n<p class=\"page-text wp-block-paragraph\">Luca Nobile: drums<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The song unveils the contradictions of so-called \u201cdark tourism\u201d, that is travelling to the sites of catastrophes and painful events, prompted by morbid curiosity. Resources on this topic Credits Music &amp; lyrics by Massimo Giovanardi Massimo Giovanardi: vocals, guitar Giacomo Gamberucci: cello Luca Nobile: drums<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2604","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.massimogiovanardi.it\/en\/wp-json\/wp\/v2\/pages\/2604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.massimogiovanardi.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.massimogiovanardi.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.massimogiovanardi.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.massimogiovanardi.it\/en\/wp-json\/wp\/v2\/comments?post=2604"}],"version-history":[{"count":3,"href":"https:\/\/www.massimogiovanardi.it\/en\/wp-json\/wp\/v2\/pages\/2604\/revisions"}],"predecessor-version":[{"id":2810,"href":"https:\/\/www.massimogiovanardi.it\/en\/wp-json\/wp\/v2\/pages\/2604\/revisions\/2810"}],"wp:attachment":[{"href":"https:\/\/www.massimogiovanardi.it\/en\/wp-json\/wp\/v2\/media?parent=2604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}